Déjame ser tu chico del alma Déjame ser tu alma No ha habido nadie como tú Confiada y verdadera Durante mucho tiempo
Y yo sólo quiero ser amado por ti Y cuando estoy realmente enamorado de ti Voy a ser tu chico del alma
Déjame ser tu chico del alma Déjame ser el único No ha habido nadie como tú Confiada y verdadera Desde hace mucho tiempo
Sólo quiero ser amado por ti Y cuando realmente sea amado por ti Seré tu chico del alma
Tómame como soy, chica Y abrázame todo lo que puedas No hay una mujer en el mundo Que me pueda amar mejor que tú Tómame como soy Como un chico del alma
Chico del alma
No quiero estar con nadie más Yo no quiero besar a nadie más Quiero ser tu chico del alma
No más luchas y más huidas Esto nos es apasionante, dejé de creer Soy un chico del alma
Sí Chico del alma Sí Soy un chico del alma Chico del alma
High is the fourth studio album by Scottish band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially. The album received generally favourable reviews, with many critics considering High to be a stronger album than their previous effort Peace at Last. AllMusic said "the Blue Nile have returned with a more balanced album [than Peace at Last] and Buchanan is broken-hearted again, thank the stars. He's been struggling with fatigue and illness and as selfish and inconsiderate as it sounds, it's brought the spark back to his writing... given the time to sink in, the album fits well in their canon." The Guardian believed that with High "the emotional commitment of Peace at Last is combined with the observational detachment of the earlier work... In pop, most people do their best work within five or six years. How extraordinary, then, that after more than two decades of activity, the Blue Nile remain on course, their range expanded, their focus more refined, unshaken in their determination to proceed at their own measured pace." MusicOMH said "High is proof that they may have been away for a while, but they certainly haven't lost their touch... Although some may call this album bland, that is to miss the point... Buchanan's vocals are what raises most of the songs to another level—sometimes a gentle whisper, at other times an anguished cry, it's one of the great, if less celebrated voices in modern music. They may only appear at around the same frequency as Halley's Comet but it's records like High that remind you why The Blue Nile are so highly regarded." BBC Music said "High manages to maintain the Blue Nile's impeccably tasteful standards while soaring blissfully over the rattle and hum of most contemporary music. Paul Buchanan still sings his songs of faded love affairs, broken dreams and squandered ambitions with almost painful emotional candor, while the musical backings are as lush and flowing as ever... There are many recognizable Blue Nile motifs throughout—the imagery of rain, railway stations, traffic and rooftops will certainly be familiar—and the tempo barely rises above a stately shuffle, which for some might seem a missed opportunity for stylistic innovation. However, for those of us who've cherished the band's previous albums, High is like meeting a new friend, albeit one possessing a reassuring familiarity." Other reviewers were less enthusiastic: Stylus Magazine said, "If you were hoping for something to stand above Hats as a late-night, solitary classic, then High will only get halfway there, because it sounds exactly as you would expect a fourth Blue Nile album to sound. Perhaps their best music has long since been made, but The Blue Nile still do what they do exquisitely well." The Observer was disappointed, saying "the empty streets of provincial towns are the stock-in-trade landscapes of the Blue Nile, and it's one of the saddening facts about High that those landscapes have become a little predictable",[7] while Uncut said that "Paul Buchanan revisits the same spot on the hillside overlooking the evening city lights, is still filled with the same surging, oblique melancholy and longing that has sustained The Blue Nile since 1984, is still crafting singularly mature MOR in a darker shade of turquoise all his own. This time, however, the overall return feels diminished in effect.
Déjame ser tu chico del alma
ResponderEliminarDéjame ser tu alma
No ha habido nadie como tú
Confiada y verdadera
Durante mucho tiempo
Y yo sólo quiero ser amado por ti
Y cuando estoy realmente enamorado de ti
Voy a ser tu chico del alma
Déjame ser tu chico del alma
Déjame ser el único
No ha habido nadie como tú
Confiada y verdadera
Desde hace mucho tiempo
Sólo quiero ser amado por ti
Y cuando realmente sea amado por ti
Seré tu chico del alma
Tómame como soy, chica
Y abrázame todo lo que puedas
No hay una mujer en el mundo
Que me pueda amar mejor que tú
Tómame como soy
Como un chico del alma
Chico del alma
No quiero estar con nadie más
Yo no quiero besar a nadie más
Quiero ser tu chico del alma
No más luchas y más huidas
Esto nos es apasionante, dejé de creer
Soy un chico del alma
Sí
Chico del alma
Sí
Soy un chico del alma
Chico del alma
High is the fourth studio album by Scottish band The Blue Nile, released on 30 August 2004 on Sanctuary Records. A single, "I Would Never", was released one week prior to the album: a second song, "She Saw the World", was made available as a promotional single, but never released officially.
ResponderEliminarThe album received generally favourable reviews, with many critics considering High to be a stronger album than their previous effort Peace at Last. AllMusic said "the Blue Nile have returned with a more balanced album [than Peace at Last] and Buchanan is broken-hearted again, thank the stars. He's been struggling with fatigue and illness and as selfish and inconsiderate as it sounds, it's brought the spark back to his writing... given the time to sink in, the album fits well in their canon." The Guardian believed that with High "the emotional commitment of Peace at Last is combined with the observational detachment of the earlier work... In pop, most people do their best work within five or six years. How extraordinary, then, that after more than two decades of activity, the Blue Nile remain on course, their range expanded, their focus more refined, unshaken in their determination to proceed at their own measured pace."
MusicOMH said "High is proof that they may have been away for a while, but they certainly haven't lost their touch... Although some may call this album bland, that is to miss the point... Buchanan's vocals are what raises most of the songs to another level—sometimes a gentle whisper, at other times an anguished cry, it's one of the great, if less celebrated voices in modern music. They may only appear at around the same frequency as Halley's Comet but it's records like High that remind you why The Blue Nile are so highly regarded." BBC Music said "High manages to maintain the Blue Nile's impeccably tasteful standards while soaring blissfully over the rattle and hum of most contemporary music. Paul Buchanan still sings his songs of faded love affairs, broken dreams and squandered ambitions with almost painful emotional candor, while the musical backings are as lush and flowing as ever... There are many recognizable Blue Nile motifs throughout—the imagery of rain, railway stations, traffic and rooftops will certainly be familiar—and the tempo barely rises above a stately shuffle, which for some might seem a missed opportunity for stylistic innovation. However, for those of us who've cherished the band's previous albums, High is like meeting a new friend, albeit one possessing a reassuring familiarity."
Other reviewers were less enthusiastic: Stylus Magazine said, "If you were hoping for something to stand above Hats as a late-night, solitary classic, then High will only get halfway there, because it sounds exactly as you would expect a fourth Blue Nile album to sound. Perhaps their best music has long since been made, but The Blue Nile still do what they do exquisitely well." The Observer was disappointed, saying "the empty streets of provincial towns are the stock-in-trade landscapes of the Blue Nile, and it's one of the saddening facts about High that those landscapes have become a little predictable",[7] while Uncut said that "Paul Buchanan revisits the same spot on the hillside overlooking the evening city lights, is still filled with the same surging, oblique melancholy and longing that has sustained The Blue Nile since 1984, is still crafting singularly mature MOR in a darker shade of turquoise all his own. This time, however, the overall return feels diminished in effect.